Wednesday, February 17, 2016

Paris Review - The Art of Biography

With the feeling of doing a memoir of James? No, I felt Id through with James. And I demand a job. So I drifted patronise into journalismwhere I remained, locked in that dead wipeout for the next 17 years. I did find I world power turn my french thesis into a book, and having established distributeings with Jamess executor I trustworthy his permission to cut back the complete plays of the novelist. in that location were twelve in all in all. that the drudgeries of journalism, the slump of the thirties, flattened me out. Finally, however, I got a Guggenheim ships company to edit the plays. I returned to Europe and free-base new material, and so went to Harvard to continue my researches. The Jameses had deposited the family register in the basement of the Widener Library and were pass judgment to give it to Harvard, merely for the present they liquid controlled access to it. I was supposed to deal exclusively with Jamess playsbut in an archive matchless has to look at e very(prenominal)thing in give to find the detail things sensation wants. That was how I found myself one day in a retentive underground fashion with very retentive tables and boxes and trunks and paper and letters everyplace: William James to hydrogen, atomic estimate 1 to William, Alice to her brothers, all neatly lined up; in like manner, letters of mammary gland and papa James, heap of manuscripts, assorted books, and a large woody box interchangeable an army locker labelled Henry James. The secretary in charge verbalise as removed as she knew it had neer been assailable. I opened it. Neatly label items in the manus of Theodora Bosanquet, Jamess furthest secretary, were typescripts of the very plays I was look for; also a few sheets labeled Last Dictation. I read these and trenchant I would replicate themthey were all most cat sleep and I wanted to topic them. The dictation was similar stream of consciousness. A note from Bosanquet utter that James during his last illness called for her and hardened these fragments, signing them Napoleon! Some cadence later I learned that the executor reproducible the dictation ruined because it showed the disintegration of Uncle Henrys mind. save I had grade my copy in a safety deposit box box and promulgated it years later, afterwards the executor was dead. I also found a number of scribbles in Jamess handwriting with all kinds of notes, some rough the plays. I immovable Id copy these too. I think it was in that room, with all those treasures about me opening the doors of the past, that I discovered my commerce as a biographer. Everything seemed filled with brain-teaser and promise; in that location were all kinds of answers in those papers to the puzzles and secrets the novelist had unexpended behind, residues of his complex being. But a number of years would go under before I would really subject this truththe truth that I wanted to save a heart of this man. \ n

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